![]() ![]() ![]() SL-18 SuperLite TMB - This kit starts with the PP-18 circuit (above) and adds the preamp from the Single-Ended 5A (above) to provide more preamp gain treble, middle and bass (TMB) controls and a master volume for balancing preamp and power amp overdrive that is reminiscent of the mid-1970s style of overdrive tone.The kit uses British-made transformers, Mallory 150 signal capacitors and a hand-wired turret board. This combination creates a dynamic, touch-responsive medium-gain amp that's perfect for blues and classic rock. Like the original Marshall it has simple preamp with just tone and volume controls and a no-frills cathode-biased 18W power stage. The PP-18 circuit uses the Normal channel circuit of the 18W Marshall of the mid to late '60s. PP-18 Vintage Plexi - is a "baby Bluesbreaker" in an easy-to-build guitar amp kit.There's also a Fat switch to compensate for single-coil pickups, and a Boost switch that removes the treble and bass controls to give a raunchy, overdrive tone. The power level is switchable between 1, 6 and 12 watts. It ships with two 6V6 tubes, but it will also run with one or two 6L6s, or one 5881/E元4/KT66/KT77/KT88. The Double-Six has independent treble, middle and bass controls for a wide range of clean tones. Most amps are built for maximum gain a have a narrow range of clean tones. Double-Six 1/6/12 - is an amplifier designed for a wide range of clean tones.With the distortion available, it feels considerably louder than a cleaner amp, such as the 4W WF-55. It's a typically 'British sounding' amp, with a bright tone full of harmonics when overdriven. A three-band tone stack (treble, middle and bass) allows you to fine-tune your guitar tone. Gain and Master volume allow for balancing preamp and power amp distortion. Single-Ended 5A - is a 5 watt single-ended Class A amp, with treble, middle and bass controls.Just like the original, there's one control for volume. The WF-55 uses the same signal path circuit together with a slightly modified power supply, to lower the Tweed Champ's inherent noise level and make the amplifier cheaper to build. The result was a fantastic little amp - with a warm and woody tone when clean, and a great raunchy crunch tone when the amp's cranked. ![]() In 1955, Leo Fender tweaked the circuit of his 'cheap and cheerful' Champ to create the famed 5F1, or Tweed Champ. The Woodface WF-55 uses the simplest circuit design of any guitar amp ever produced: the Champ. Woodface 55 (WF-55) - Their easiest to build kit, with 4 watts of tweed-voiced tone with a mahogany control panel.The Amp Maker line of kits today include: Their design approach is to make good tone affordable. Amp Maker (is a Suffolk, England based maker of tube amplifier kits, started in 2005. ![]()
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